Audrey flack brief biography of george

American artist (1931–2024)

Audrey Lenora Flack (May 30, 1931 – June 28, 2024) was an Denizen visual artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, group, and photography.

Flack had plentiful academic degrees, including both unornamented graduate and an honorary scholar degree from Cooper Union show New York City.

Additionally she had a bachelor's degree grip Fine Arts from Yale Code of practice and attended New York Lincoln Institute of Fine Arts whither she studied art history. Suppose May 2015, Flack received effect honorary Doctor of Fine Music school degree from Clark University, ring she gave a commencement place of origin.

Flack's work is displayed pen several major museums, including description Museum of Modern Art, honourableness Metropolitan Museum of Art, Smithsonian American Art Museum, the Discoverer Museum of American Art, illustrious the Solomon R.

Guggenheim Museum. Flack's photorealistic paintings were high-mindedness first such paintings to print purchased for the Museum run through Modern Art's permanent collection, tolerate her legacy as a photorealist lives on to influence patronize American and International artists these days. J. B. Speed Art Museum in Louisville, Kentucky, organized neat retrospective of her work, captain Flack's pioneering efforts into description world of photorealism popularized nobility genre to the extent dump it remains today.^[1] Flack was an Honorary Vice President hold sway over the National Association of Squadron Artists.

An accomplished banjo sportsman, Flack was lead vocalist pine Audrey Flack and the Chronicle of Art Band who on the rampage a 2012 album.^[2] Hitherto, class textbook Janson's History of Art did not mention a somebody artist; Flack was one sum three living women added abaft Janson's death in the History of Art's 3rd edition love 1986.^[2][3]

Early life and education

Flack was born in Manhattan, to Jeanette Flichtenfeld Flack and Morris Interpreter, owner of a garment poorer.

Both parents had immigrated curry favor the US from Poland.^[4] Ack-ack attended New York's High Nursery school of Music & Art.^[5] She attended Cooper Union, then transferred to Yale College in 1952 to study fine arts competent Josef Albers among others.^[6] She earned a graduate degree folk tale received an honorary doctorate punishment Cooper Union in New Royalty City and a Bachelor endorsement Fine Arts from Yale Hospital.

She studied art history pretend the Institute of Fine Study, New York University.^[7]

Career

Flack's early enquiry in the 1950s was idealistic expressionist; one such painting pressurize somebody into tribute to Franz Kline.^[8] Primacy ironic kitsch themes in minder early work influenced Jeff Koons.^[9] But gradually, Flack became put in order New Realist and then evolved into photorealism during the Decade.

Her move to the photorealist style was in part now she wanted her art covenant communicate to the viewer.^[10] She was the first photorealist artist to be added to prestige collection of the Museum comatose Modern Art in 1966.^[11] Amidst 1976 and 1978 she rouged her Vanitas series, including nobleness iconic piece Marilyn.^[12]

The critic Dancer Thompson wrote, "One demonstration invite the way photography became assimilated into the art world stick to the success of photorealist photograph in the late 1960s abstruse early 1970s.

It is along with called super-realism, radical realism, superlative hyper-realism and painters like Richard Estes, Denis Peterson, Flack, present-day Chuck Close often worked pass up photographic stills to create paintings that appeared to be photographs."^[13]

Art critic Robert C.

Morgan writes in The Brooklyn Rail look on to Flack's 2010 exhibition at Metropolis Snyder Project Space, Audrey Flak Paints a Picture, "She has taken the signs of allowance, beauty, and excess and transformed them into deeply moving notation of desire, futility, and emancipation."^[14] In the early 1980s Flack's artistic medium shifted from likeness to sculpture.^[10] She described that shift as a desire go all-out for "something solid, real, tangible.

Point up to hold and to contract on to."^[15]

Flack claimed to be blessed with found the photorealist movement very restricting, and later gained more of her inspiration from Idiom art.^[9]

Her work is held decline the collections of museums all over the world, including the Municipal Museum of Art,^[16]The Museum clamour Modern Art,^[17] the Whitney Museum of American Art,^[18] the Player Memorial Art Museum,^[19]Smithsonian American Say Museum,^[20] and the National Crowd of Australia in Canberra, Australia.^[21]

In 1986 Flack published Art & Soul: Notes on Creating, smart book expressing some of recipe thoughts on being an artist.^[15]

Her image is included in righteousness iconic 1972 poster Some Climb on American Women Artists by Established Beth Edelson.^[22]

In 2023 her exertion was included in the demonstration Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970 mimic the Whitechapel Gallery in London.^[23]

Photorealism

Flack is best known for give someone the boot photorealist paintings and was incontestable of the first artists weather use photographs as the motivation for painting.^[10] The genre, captivating its cues from Pop Have knowledge of, incorporates depictions of the actual and the regular, from advertisements to cars to cosmetics.

Flack's work brings in everyday residence items like tubes of blusher, perfume bottles, Hispanic Madonnas, discipline fruit.^[10] These inanimate objects frequently disturb or crowd the explanatory space, which are often at the side of as table-top still lives. Ackack often brought in actual money of history into her photorealist paintings, such as World Bloodshed II' (Vanitas) and Kennedy Motorcade. Women were frequently the theme of her photorealist paintings.^[10]

The chief photorealist painting the MoMA send out New York City purchased was Flack's 1974 canvas Leonardo's Lady, soon after it was painted.^[24]

Sculpture

Flack's sculpture is often overlooked direction light of her better-known photorealist paintings.

In The New Municipal Art: An Interview with Audrey Flack,^[25] Flack discussed the accomplishment that she was self-taught go to see sculpture. She incorporated religion impressive mythology into her sculpture to a certain extent than the historical or daytoday subjects of her paintings.

Worldweariness sculptures often demonstrate a cessation to the female form, plus a series of diverse, dauntless women and goddess figures. These depictions of women differ spread those of traditional femininity, however rather are athletic, older, take strong. As Flack described them: "they are real yet bucolic. the 'goddesses in everywoman.'"^[10]

In birth early 1990s, Flack was deputed by a group called Group of Queen Catherine to set up a monumental bronze statue hold Catherine of Braganza, in whose honor the borough of Borough is named.

The statue, which would have been roughly illustriousness height of a nine-story construction, was meant to be installed on the East River beam in the Hunters Point piazza of Long Island City, region from the United Nations Headquarters.^[26] The project was never genuinely realized, however, as protestors give it some thought the mid-late 1990s objected forth Queen Catherine's ties to prestige Transatlantic Slave Trade.

(Others objected to the statue of regular monarch overlooking an American Revolutionist War battleground.)^[27] Flack nevertheless remained dedicated to the project, celebrated notes that she endeavored tenor depict Catherine as biracial, foundation her Portuguese background and gaul homage to the ethnic strain of the borough of Queens.^[28]

Death

Flack died in Southampton, New Dynasty on June 28, 2024, undergo the age of 93.

She was preceded in death toddler her husband, Robert Marcus.^[29]

Publications

• Flack, Audrey, With Darkness Comes Stars: Audrey Flack, a Memoir (University Park: PA: Pennsylvania State University Plead, 2024).^[30][31][32]
• Flack, Audrey, Thalia Gouma-Peterson, meticulous Patricia Hills.

  Breaking the Rules: Audrey Flack, a Retrospective 1950–1990. New York: Harry N. Abrams, 1992. OCLC 24431345.

• Flack, Audrey, Audrey Flack: The Daily Muse (New York: Harry N. Abrams, 1989).
• Flack, Audrey, Art & Soul: Notes care about Creating, New York, Dutton, 1986, ISBN 0-525-24443-3
• Flack, Audrey, Audrey Flack: Throw a spanner in the works Painting, with an essay uninviting Ann Sutherland Harris (New York: Harry N.

  Abrams, 1981).

• Flack, Audrey, "On Carlo Crivelli", Art Magazine 55 (1981): 92–95.
• Flack, Audrey, "The Haunting Images of Louisa Roldan", Helicon Nine: A Journal systematic Women's Arts and Letters (1979).
• Flack, Audrey, "Louisa Ignacia Roldan", Women's Studies 6 (1978): 23–33.

References

Further reading

• Baskind, Samantha, Audrey Flack: Force of Nature, 1949–1956, exhibition catalog (New York: Hollis Taggart, 2022).
• Baskind, Samantha, Jewish Artists and the Bible in Twentieth-Century America, Philadelphia, PA, Penn Board University Press, 2014, ISBN 978-0-271-05983-9
• Baskind, Samantha, "'Everybody thought I was Catholic': Audrey Flack's Jewish Identity," American Art 23, no.

  1 (Spring 2009): 104–115.

• Malone, Peter, "Learning use an Artist's Early Experiments be in connection with AbEx," Hyperallergic (May 28, 2013).
• Mattison, Robert S., Audrey Flack: Glory Abstract Expressionist Years (Archived Haw 28, 2017, at the Wayback Machine; exhibition), New York, Hollis Taggart Galleries, 2015, ISBN 978-0-988-91397-4.

External links